Two brothers on either side of the law face off over organized crime in Brooklyn during the 1970s.
Trailer
Cast
Clive Owen
Chris
Marion Cotillard
Monica
Billy Crudup
Frank
Mila Kunis
Natalie
Zoe Saldana
Vanessa
Matthias Schoenaerts
Scarfo
James Caan
Leon
Noah Emmerich
Lieutenant Connellan
Lili Taylor
Marie
Domenick Lombardozzi
Mike
John Ventimiglia
Valenti
Griffin Dunne
McNally
Jamie Hector
Nick
Yul Vazquez
Fabio De Soto
Eve Hewson
Yvonne
Anais Lee
Janie
Mirabelle Lee
Janie
Richard Petrocelli
Romero
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Comments
10 Comments
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source: Blood Ties
I mean this literally. I realized when I started to watch this that I had already seen it several months ago yet I couldn't remember a thing about it. The first question you have to ask when you see a period piece movie is do they really need to set the film in this era. I don't get it for this movie; there' no time like the present. There were way too many personal angles to be addressed in a two hour movie (it felt like a lot more). If you want to tell this kind of story you should do it on TV. This is only my opinion but trying to make a movie that's supposedly all about acting is a huge mistake if your story is weak. This is especially true when Clive Owen is part of the cast as he's pretty thin on talent. The only reason that I am writing this review is so that I won't try to watch this a third time.
I don't get it. We are supposed to be engaged by the complex relationship and moral dilemmas of these two brothers. But most of the other reviewers (and presumably the filmmakers) don't seem to be bothered by the fact that one of them is a murderous sociopath. This is kind of a deal breaker for me in terms of empathy. And yet, the same brother chooses to spare the life of a man who is an obvious existential threat to his family. Stupid script, hackneyed premise, overstuffed soundtrack, and ridiculous casting, including two lead female actresses (Cotillard and Kunis) who look so similar as to be occasionally confusing. Amateur foreign film making masquerading as a tribute to 70's American crime drama. Viewers would do better by sticking with the real thing, for instance: Mean Streets (art); The Friends of Eddie Coyle (slick); Superfly (genuine American trash). Any of these would be a much more fulfilling and enjoyable use of 2 hours.
The cast made the film seem intriguing, but this is a terrible film. Clive Owen is Billy Crudup's older brother? No. Good brother, bad brother, ugh. So hackneyed, so amateur. Moments to remember: Clive loses his American accent in a few scenes, Mila Kunis attempts a NY accent in some of her scenes, accent on the attempts. True that Clive is well-equipped to play a sociopath, but that's not acting that's his face. The whole thing is a mess from start to finish. The only highlight was the period correct cars, if you're into that sort of thing. I'm giving it a 2 but only because there are actually worse films, but considering the cast here, this could easily have been a 1.
I can't for the life of me understand why anyone would grant this stunted flop more than a two at best. Yes, the cast is great and that makes it all the more of a riveting disappointment. James Caan seems like an actor trying to play James Caan. The clichés hit he beach in Coney Island like a tsunami.The 70's effects while pretty consistent are wildly generic and the era continuity flaws albeit not the major problem are still relevant. No, my problem with this film is that it takes insanely capable skilled and even iconic actors and dumbs them down to an idle gray and boring level of energy. Of all the actors chosen for the lead , I mean really a botched casting with Owen. He took Q's from Nicholas Cage and the obvious Goodfellas similarities (tribute or plain plagiarism?) brought this movie to a screeching halt. If fact the only thing that kept the movie running or at least at all memorable was the 70's soundtrack which in itself was nothing major yet the obvious use of 70's hits made it a little more seamless.All of the action takes place in the first 10 minutes. Thereafter a downhill ride.
I can say right now that I prefer this film to the original, the french film made in 2008: LES LIENS DU SANG, starring Guillaume Canet, the film maker of this very one. Yes a powerful crime drama movie, with outstanding characterization and story telling. The scheme itself has already been shown before, in may other features, but here the screen play emphasizes on the relations between characters. There is no real villain here; even the Mathias Schoenheart's one, who plays here the ex con whose the cop has "stolen" the wife from. If you analyse the scheme, it appears that this "bad character at first sight" may on the contrary bring the audience to feel empathy towards him. The sub characters are also efficiently shown, in a poignant way, and there are may of them. Guillaume Canet is a really good director, even away from France.
