At every station, between sites filled with poetry and nostalgia for a bygone era, the poet's dashed dreams and idealized vision of her country coincide with the director's own.
Trailer
Cast
Nabil Ismaïl
Self
Marcel Khalife
Self
You Might Also Like
Little Palestine: Diary of a Siege
We Are All for the Fatherland
Sexology
Bigay hilig: Sexual Fetish
Sex Next Door
Life on Our Planet
The Business of Drugs
Magic City: An American Fantasy
Trust Me: The False Prophet
Stacey Dooley Sleeps Over
Mourinho
The Idaho Murders: College Nightmare
Marines
Marvel Studios: Assembled
The Principles of Pleasure
Serengeti
I, Hostage
Sex Actually with Alice Levine
High Society
Africa
MH370: The Plane That Disappeared
Michael Jackson: The Verdict
Eden: Untamed Planet
Side Hustlers
Comments
3 Comments
Eerie and slow, this film pulls all the emptiness out of Lebanon during 1980 and dumps it into your heart. The white, blue and black colour palette makes this feel like a ghost movie. However, the characters are opaque and alive, whilst the cities dead, just swaying in the background bleached white. Beautiful poetic narration is interjected between scenes and provides a romantic yet realistic insight into the countries past, present and future. The film does not ask for your sympathy like a charity advert, but just makes you fall in love with Lebanon and its people who's personalities relish through the lens of Baghdadi. There are some moments which felt a bit too slow, but they did serve a purpose. I wish more people in the west would see this film because it truly humanises arabs and arab suffering in a time where we are seen as throwaways who deserve less then an animal treatment.
