Tight Spot

I disagree a little with previous writers: Although Ginger is a little old (and, yes, older than the policeman), she is sexy enough to make believable the plot. (I think women in their 30s and 40s can be gorgeous: even more than the ones in their 20s) But I agree about Robinson (a little man that fills the screen) and Keith (great not-so-tough policeman) And a kind request: Could anybody send me the last lines of the script ? (or tell me, where in Internet to look for it) I've recorded the film from the spanish TV in the wee hours. I've run out of tape, just when Ginger and Robinson appear in the trial. I would like to know what Ginger and the bad guy say...

A witness against the mobster Benjamin Costain (Lorne Greene) is assassinated on the steps of the courthouse. Prosecutor Lloyd Hallett (Edward G. Robinson) needs inmate Sherry Conley (Ginger Rogers) to be the new witness as a last resort but she has a policy of not volunteering. Vince Striker (Brian Keith) leads her police protection. Rogers has great sass attitude and a desperate lowlife sensibilities. It's very her especially with her short hair do. She's great. It's her best acting job. The high point is her reunion with her sister. It's a small little noir with great desperation. There is a modernity to this reality.

My admiration for Miss Rogers quadrupled after seeing this film. She does a great job playing against type. The story is entertaining and suspenseful and the performances excellent.

Tight police drama with D.A. Edward G. Robinson trying to protect witness Ginger Rogers from the clutches of evil crime lord Lorne Greene. Rogers and Robinson are both marvelously vulnerable beneath their complementary tough exteriors. The direction is tense throughout. The film makes excellent use of its claustrophobic environs. Brian Keith is also very good as a tough cop.

As a big fan of Ginger Rogers', I think this film, although late in her career, is rather good. Of course with Edgar G. Robinson as the district attorney, there's no way this could be bad. The opening prison laundry scenes are more than a little hard to believe (after all, when was the last time you were in prison with perfectly manicured nails). Over all, drama and comedy nicely balanced.

Ginger Rogers holds court as Mafia bigwig Lorne Greene's brassy ex-moll. Edward G. Robinson is ideal as her police protector. But, a young and ruggedly handsome Brian Keith steals the movie as a cynical police officer. The tension is very real in the stuffy hotel room. All the while, an absurd country-western singer croons the same song on a telethon over-and-over again. This is a classic.

Ginger Rogers gives one of her best performances here, as a tough gangster's "moll" turned state witness. Her gutsy, strong and sexy performance carries the conventional plot. Robinson and Keith are fine, but they don't have much to do except get dazzled by Ginger - and who wouldn't be. It is a little hard to believe that Keith, at 34, would fall for Ginger, at 44, but that's all part of the illusion of glamourous Hollywood. Ginger looks great, but she does look her age. The main problem here is the inadequate adaptation from a stage play - the action is too confined in the one room, and there is too much dialogue. But this is worth catching for the original Ginger Spice in full fireworks' mode.