On New Year's Eve, the driver of a ghostly carriage forces a drunken man to reflect on his selfish, wasted life.
الإعلان الترويجي
طاقم العمل
Victor Sjöström
David Holm
Hilda Borgström
Anna Holm - David Holms fru
Tore Svennberg
Georges - Davids vän
Astrid Holm
Syster Edit - Slumsyster
Concordia Selander
Edits mor
Lisa Lundholm
Syster Maria - Slumsyster
Tor Weijden
Gustafsson - Frälsningssoldat
Einar Axelsson
Davids yngre bror
Olof Ås
Den första körkarlen
Nils Aréhn
Fängelsepredikanten
Simon Lindstrand
Davids supkamrat på kyrkogården (1)
Nils Elffors
Davids supkamrat på kyrkogården (2)
Algot Gunnarsson
En arbetare på krogen
Hildur Lithman
Arbetarhustrun på krogen
Josua Bengtson
Ena kortspelaren
Emmy Albiin
Kvinna med lungsot
Helga Brofeldt
Servitris på krogen (1)
Mona Geijer-Falkner
Servitris på krogen (2)
قد يعجبك أيضًا
The Siren
Mermaid's Song
نقطة حمراء
أشياء غريبة
الأصليون
حورية البحر
مجموعة ذئاب
Goddess Bless You from Death
هيملوك جروف
Light as a Feather
The Twilight Zone
الاستبدال
The Birch
30 Coins
حكايات الموتى السائرون
Chambers
My Secret of Seer
Elves
في الظلام
Ravenswood
مقابلة مع مصاص الدماء
South of Hell
The Twilight Zone
قصة ليزي
التعليقات
6 تعليق
source: The Phantom Carriage
Körkarlen
This, unfortunately, is a little-known film.....i say "unfortunately", because it ranks up there with the "classics" of the American silent screen! It's about a legend of a "phantom chariot" that travells all over the world, picking up the souls of those who have died. The legend says tha the last person to die on New Year's Eve is condemned to drive the chariot for the next whole year. It brings to mind the sequence of the "Ghost of Future Yet To Come" in Dicken's famous "Christmas Carol". The double-exposure effects of the ghosts (esp. when they interact with the "live" people) are EXCELLENT! If you love silent films, you MUST see THIS; it will "blow you away"! Norm Vogel Norm's Old Movie Heaven http://www.nvogel.com/film/film.html
The best silent movie I've ever seen. It's so harrowing and perfectly describes the feelings I've had about death, life, love and especially hope. It's optimistic ending makes it even stronger. I cried when I saw this movie the first time, which was the day after my grandfather's death. He once told me this was the first movie he ever saw, in a cinema, to which there was a 10 kilometers walk in the snow. The cinema used to be so crowded the humidity got so high the walls were completely wet. Naturally I had a lot in mind that day. It wasn't the first time I saw the movie, but the first time I experienced it's meaning completely. I've never seen any silent film like this and that it's silent actually makes it scarier.
Much said without words. This is an excellent movie. It was made in color-not color as in today's films, but a special mono-color use (with shadings) that portrayed meaning, mood, sense and time. It should be seen in color, as it becomes an entirely different film. The story, by Nobel prize-winner Selma Lagerlöf, is effectively presented. One never has a clear sense of real, memory or phantom. Changes going on in Swedish society at the time are subtly layered. Most highly recommend. Try to rent it or find it on-line. I saw it in a Swedish film class and I want to add it to my film library.
