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The Creeping Flesh

HorrorSci-Fi
Year1973
Duration1h 32m

A Victorian-age scientist returns to London with his paleontological bag-of-bones discovery from Papua New Guinea. Unfortunately, when exposed to water, flesh returns to the bones unleashing a malevolent being on the scientist's family and friends.

Trailer

Cast

Freddie Francis

Director

Christopher Lee

James Hildern

Peter Cushing

Emmanuel Hildern

Lorna Heilbron

Penelope

George Benson

Waterlow

Kenneth J. Warren

Lenny

Duncan Lamont

Inspector

Harry Locke

Barman

HW

Hedger Wallace

Doctor Perry

Michael Ripper

Carter

Catherine Finn

Emily

Robert Swann

Young Aristocrat

David Bailie

Young Doctor

MB

Maurice Bush

Karl

Tony Wright

Sailor

Marianne Stone

Female Assistant

AD

Alexandra Dane

Whore

Jenny Runacre

Emmanuel's Wife

Larry Taylor

1st Warder

PS

Peter Spenceley

Writer

JR

Jonathan Rumbold

Writer

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Comments

2 Comments

MayorkunNov 16, 2022

Peter Cushing gives an effective, sympathetic performance as a slightly loony but basically well-intentioned scientist, and he shares some (too few!) amusing screen moments with another horror icon, Christopher Lee. Unfortunately, this beautifully produced and promising horror film is otherwise disappointing, undermined by a severe lack of scares (until the final 5 minutes, the most intense scene is a rape attempt) and a disconnected, rambling script. After reading all the positive reviews, I expected a lot more out of this film. (**)

Colombe KenzoNov 16, 2022

"The Creeping Flesh" is a neat idea for a movie: a doctor brings home a skeleton that grows flesh when exposed to water. That probably could have been the plot of a 1950s B movie. Unfortunately, this movie meanders way too much. A large portion of it focuses on the daughter's descent into madness, and we have to wait a really long time before the skeleton does its stuff. Maybe one has to see it more than once to appreciate the movie as a whole sufficiently. Other than that, Peter Cushing and Christopher Lee are great in their roles (as can be expected). Even so, I prefer Freddie Francis's movies that stick entirely to their plots. As it was, the end of this one reminded me of the end of Philip Kaufman's "Quills".