Rasme Ulfat Ko Nibhaye -- Lata Mangeshkar / Madan Mohan

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Year2011

Duration5m

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7.2

Since I could not find the original film video for this beautiful movie ghazal composed by Madan Mohan and sung by Lata Mangeshkar, I thought of creating a video by combining the captivating music with available dance videos. Fortunately, I came across some wonderful dance clips of Fred Astaire, Eleanor Powell, Rita Hayworth, Cyd Charisse as well as Lisa Miles and Tim Balfour. Although the words of this song express sadness while some of the dance scenes exhibit a lighter mood, I felt that the beauty of the graceful and fluid movements of the dancers that the eyes perceive complements the beauty of the words and the sounds that the ears capture. (Update July 11, 2017 A video of the full movie Dil Ki Rahen is now available on YouTube: https://www.youtube.com/watchv=FvkdkgTJtas&t=2092s A video of this song from the movie is posted here: https://youtu.be/PTXd3PWYKOA) Rasme Ulfat Ko Nibhaye Voice: Lata Mangeshkar Music: Madan Mohan Lyrics: Naqsh Lyallpuri Film: Dil Ki Rahen (1973) Visual excerpts from these videos: Fred Astaire and Eleanor Powell: "Begin the Beguine" -- Broadway Melody (1940) Fred Astaire and Cyd Charisse: "Dancing in the Dark" -- Bandwagon (1941) Fred Astaire and Rita Hayworth: "I'm Old Fashioned" -- You Were Never Lovelier (1942) Lisa Miles and Tim Balfour - A Variation on Fred and Ginger for the third act of Opera Australia's production of Die Fledermaus at the Sydney Opera House. Lyrics and interpretation: Rasm-e-ulfat ko nibhaayen to nibhaayen kaise Har taraf aag hai daaman ko bachaayen kaise Dil ki raahon mein uthate hain jo duniyawale Koi kehde ke woh deewar giraayen kaise Dard mein doobe hue naghmein hazaron hain magar Saaz-e-dil toot gaya ho to sunaayen kaise Bojh hota jo ghamon ka to utha bhi lete Zindagi bojh bani ho to uthaayen kaise Rasm-e-ulfat ko nibhaayen to nibhaayen kaise Rasm-e-ulfat ko nibhaayen Interpretation (this is not a literal translation; I have taken some liberty for the sake of rhyming): Oh, these demands and rituals of love, how do I manage How do I