In postwar London, Tony and Anne marry despite her wealthy parents' doubts. With a modest job and tiny flat, they struggle with tight finances, limited space, difficult neighbors, and her parents' interference.
Trailer
Cast
J. Lee Thompson
Director
Dirk Bogarde
Tony
Susan Stephen
Anne
Cecil Parker
Anne's Father
Eileen Herlie
Anne's Mother
Athene Seyler
Miss Mainbrace
Dennis Price
Debenham
Pia Terri
Mrs. Debenham
James Hayter
The Plumber
Thora Hird
Mrs. Doyle
George Woodbridge
Alf
Charles Victor
Fred
Sidney James
The Foreman
Peter Jones
The Car Dealer
Edwin Styles
Anne's Boss
Mary Law
Girl in Office.
Leonard Sharp
First Workman
Dennis Wyndham
Second Workman
Robin Bailey
Store Salesman
J. Lee Thompson
Writer
Peter Myers
Writer
Alec Grahame
Writer
Arthur Watkin
Writer
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Comments
7 Comments
source: Cocktails in the Kitchen
For Better, for Worse
If you've ever seen Barefoot in the Park you'll recognise the similarities and rejoice at how much better it is.
A British comedy far ahead of its time. A unique view of the hardships faced by young newlyweds in postwar London. This film marked the defining roles for several actors/actresses. A solid performance by Dirk Bogarde, possibly overshadowed by the debut of Pia Terri.
FOR BETTER, FOR WORSE is an early film in the long-running career of J. Lee Thompson, the British director best known for his hard-knuckle thrillers starring the likes of Charles Bronson. This one's a kitchen sink comedy, made before the kitchen sink drama became popular with the release of ROOM AT THE TOP in the late 1950s. The film stars the ubiquitous Dirk Bogarde alongside Susan Stephen as a young couple, madly in love, who want to get married but find life working against them. The humour is of the dated and genteel variety rather than the laugh-out-loud antics of, say, the CARRY ONs or Ealing films of the era. The snapshots of social life during the era are engaging, as are supporting players including Cecil Parker, Sid James, James Hayter, Thora Hird and Dennis Price, but this is very much a lesser work.
In the 50s British films tried to combat the growing influence of TV.One of the first sitcoms was on BBC and was called "The Grove Family" about what would then be called a working class family.This is an upmarket version of that set in Kensington in colour.However it all falls very flat as a comedy.Firstly there is a major problem with Susan Stephen ,as she is simply not very good.It is difficult to understand the couples circumstances,where Bogarde doesn't earn enough money,Stephen sits home all day and they employ Thora Hird as a daily woman.There are all sorts of well known faces coming and going through this film but alas they do not enliven what is a very forced farce.Bogarde would of course have a very successful career ahead of him whilst Stephen would soon slip into obscurity.
