Wealthy young man Nicky (Sir Michael Redgrave) pretends to be poor to be close to model Diana (Jesse Matthews) though he's nearly engaged to aristocrat Lady Constance (Margaret Vyner).
Trailer
Cast
Carol Reed
Director
Jessie Matthews
Diana
Michael Redgrave
Nicky
Noel Madison
Gibson
Alastair Sim
Max
Margaret Vyner
Lady Constance
Mary Clare
Lady Emily
Francis L. Sullivan
Madman
Enid Stamp-Taylor
Winnie
Torin Thatcher
Jim
Tucker McGuire
Patsey
Basil Radford
Reggie
Athole Stewart
Uncle
Leo de Pokorny
Guide
Fred Groves
Doorman
Victor Harrington
Passer-By at Traffic Accident
Philip Leaver
Swiss Hotel Clerk
Gordon McLeod
Editor
Percy Parsons
Lumber Camp Foreman
Lesser Samuels
Writer
Marion Dix
Writer
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Comments
6 Comments
source: Climbing High
Climbing High
With the exception of a couple of films in the forties and fifties this was the last film produced by Gaumont British.It was the biggest production company in the UK but closed down in 1938.It ran into money troubles and closed down production.This was supposed to be a musical directed by Donnie Hale.Alas all the music was taken out and what we are left with is a sad epitaph to her starring career.Unfortunately this is a sad imitation of the screwball comedies then popular with Hollywood.Michael Redgrave is unsuited to his role .As for Alistair SIM and Francis Sullivan all one can say is,bizarre.
This is a very confusing comedy. The main plot line revolves around Michael Redgrave, unhappily engaged to a society lady, who falls for a lingerie model played by Jessie Matthews and her overbite. Much to-ing and fro-ing, playing of masquerades lead to the conclusion everyone expects, but the alarms and excursions are strange indeed. We have Alastair Sim doing a tremendous job as a poverty-stricken, bitter comic communist, but we also have a loony who is obsessed with opera-singing. His second appearance is completely inexplicable. Enough of the original plot shows through for the storyline to just about hang together - even if only with the assistance of a suspension bridge for the disbelief - but there's an awful lot of "what the...?" likely from an attentive viewer. Odd entertainment.
