ساحر

An underrated film with a typically stellar Roy Scheider performance, an eerie Tangerine Dream soundtrack, and brilliant visuals. This film's reputation suffers from its inexplicable title and unfavorable comparisons to the original. But it's useless to compare since this film is an altogether different beast. Friedkin gives it his usual nihilist/fatalist/existential stamp, making it a much darker film than the French version. Very suspenseful and well-made. Made by Friedkin at the height of his powers. His third best film after Exorcist and French Connection.

For my money, the original one-sheet for "Sorcerer" is one of the most effective pieces of movie advertising. A cargo truck trying to negotiate its way across a sorely decrepit bridge. Simple, but highly effective. The whole movie is distilled into that one image. Which isn't to say that that's all the movie is, far from it. "Sorcerer" deals in high suspense like a seasoned pro, cavalierly dismissing the laws of physics in favor of truly nail-biting cinema. The whole thing feels doomed, and that sense of dread just builds, baby. It's a movie that spends its first half in set-up, but surprisingly is never boring. And Friedkin milks the gritty atmosphere out of that third-world jungle. It's been a few days and I still can't get this movie out of my head. It doesn't shake off easily. 8/10